PELABELAN NEGATIF DALAM CERPEN RONGGENG SAJAJAGAT KARYA AHMAD BAKRI: KAJIAN RESPONS ESTETIK
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2016-06-13
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ABSTRACT
The title of this research is "Negative Labeling in Short Story’s Ronggéng Sajajagat by Ahmad Bakri: Study Aesthetic Response.”The purpose of this research are to describe a dancer and her life that reflected in Rongéng Sajajagat and describe space-space aesthetic what founded in text and than reveal the actual reading of aesthetically on the text. The method used is descriptive analytic method. Where this method aims to describe a systematic, factual, and accurate about the facts-facts and then analyzed the relationship between the phenomenon investigated. While the study methods used to peel it is literary reception with a knife-edged response Aesthetic theory proposed by Wolfgang Iser. The results of this research are repertoires of text and context about ronggeng in the text leads to negativity a ronggeng with various activities on stage or backstage and description of potential spaces text revealed by the realization Ronggeng Sajajagat reading of the short story. The spaces of aesthetic contained in stories Ronggeng Sajajagat can be produced from gaps and empty spaces in the text that is shown through the horizon of expectations regarding: the text presents a variety of information about labeled negative a ronggeng, the author presents a lot of advice for life, spirit of the times in the past that requires practice ronggeng is a primary need, and readers is speculated to be a grain of text up to the realization of its readings, expressed with four perspectives, namely: the narrator in the packaging fairy tale parents, figures as a connoisseur of art and artists, an indication of the authors will practice ronggeng and a reader which connects to the context of contemporary dancers. Ronggeng Sajajagat have a lot of important information that can open up horizons of readers so that makes it interesting to researched.
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Ronggeng Sajajagat, Respons Estetik, Ahmad Bakri